Rob Cameron* (M) is so excited to be working with DRC again, previously appearing as Will in A Bright New Boise. Around town he has worked at Portland Stage, The Public Theatre, SPACE, Saco River Theatre, Good Theater and Fenix Theatre Co., which he founded in 2008. Rob is also a psychotherapist and co-founder of Partnership for Trauma Recovery. He is an avid surfer and meditator, a somewhat less avid jogger, a lover of Golden Retrievers and a booster for the great city of South Portland where he lives with his son, daughter and wife (and dogs) who are the center of his universe.

Phoebe Parker (W) is thrilled to be working with DRC for the first time. Phoebe made her debut in Portland performing in Nick Payne's Constellations at Space Gallery in 2017. Earlier this year she appeared in Life Sucks at Mad Horse Theater. A native Texan, Phoebe left her longtime home Los Angeles to attend the Salt Institute for Documentary Studies and now works locally as a photographer and filmmaker. When she's not working, acting or fumbling through some kind of new outdoor activity she loves cooking delicious vegetarian meals, talking to strangers, binging Scandi Noir shows, and spoiling her step-dog.


Duncan Macmillan (Playwright) is an award-winning playwright and director. Plays include: People, Places and Things, National Theatre, Headlong, West End; 1984, Headlong, Nottingham Playhouse, Almeida, West End, International Tours; Every Brilliant Thing, Paines Plough, Pentabus, Barrow Street, HBO, International Tours; Lungs, Studio Theatre, Paines Plough, Sheffield Theatre, Various Productions Worldwide; 2071 co-written with Chris Rapley, Royal Court, Hamburg Schauspielhaus; Atmen, Schaubühne Berlin; The Forbidden Zone, Salzburg Fesitval, Schaubühne Berlin; Reise durch die Nacht adapt. Friederike Mayröcker created with Katie Mitchell and Lyndsey Turner, Schauspielhaus Köln, Theatertreffen Berlin, Festival d’Avignon; Wunschloses Unglück adapt. Peter Handke, Burgtheater Vienna; Monster, Royal Enchange/Manchester International Festival. Awards include: Best New Play at the Off West End Awards 2013 for Lungs; the Nestroy Preis for Best German Language Production, 2013. His work with director Katie Mitchell has been selected for Theatertreffen and Festival d’Avignon. Duncan was also the recipient of two awards in the inaugural Bruntwood Playwriting Competition, 2006. 1984 was nominated as Best New Play at the Olivier Awards, 2014 and won the UK Theatre Award for Best Director (Duncan Macmillan and Robert Icke).

Keith Powell Beyland (Director) recently directed the critically-acclaimed DRC productions of The Flick, Cock (the cockfight play) (co-directed - Theatrical Highlight of 2018 - Portland Phoenix), Venus In Fur (co-directed - Theatrical Highlight of 2017 - Portland Phoenix), The (curious case of the) Watson Intelligence (Theatrical Highlight of 2015 - Portland Phoenix), Equivocation (co-directed, Theatrical Highlight of 2014 - Portland Phoenix), My Name Is Rachel Corrie (Theatrical Highlight of 2014 - Portland Phoenix), A Bright New Boise (co-production with Fenix Theatre, Theatrical Highlight of 2013 - Portland Phoenix), Topdog/Underdog (Best Production - 2013 PEER Award, Theatrical Highlight of 2012 - Portland Phoenix), [title of show], Tigers Be Still, Gross Indecency: The Three Trials of Oscar Wilde, Life During Wartime and Blue/Orange. He spent the last two decades working on and off Broadway with respected organizations like Roundabout Theatre Company, Manhattan Theatre Club, Signature Theatre Company (NY), The New Group, Berkshire Theatre Festival and Irondale Ensemble Project. Keith studied with Athol Fugard, John Patrick Shanley, Paula Vogel, Maria Irene Fornes, Anne Hamburger, Carey Perloff and Venable Herndon, among others. He holds a degree with Honors from the Dramatic Writing Program at New York University's Tisch School of the Arts.

MICHAELA WIRTH (Lighting Design). Rarely seen in the full light of day, this designer is delighted to be working once again with DRC. When not in the darkness of the theatre, she can often be found in the darkness of the projection booth of the Nickelodeon... planning the lights for the next DRC show!

Lauren Stockless (Assistant Director) is so excited to be working on her third fabulous production with DRC! She is a graduate of Colby College with a double major in Theatre & Dance and English Literature, and more recently finished a Master's of Science in Theatre and Performance Studies at the University of Edinburgh in Scotland. Some past favorite shows include: The Flick (Asst.Director, DRC), Life Sucks (Stage Manager, Mad Horse), False Flag (Asst. Director/Dramaturg, DRC), Art (Director, Powder and Wig), Twelfth Night (Director, Edinburgh University Shakespeare Company), You’re a Good Man, Charlie Brown (Director, Performing Arts Center of MetroWest), and Letters From the Sky (Stage Manager, Stages Youth Theater).

Emily M. Dixon (Stage Manager). Emily is always excited to be a part of a DRC production. Recent credits include Radiant Vermin (Mad Horse, stage manager), High School Musical (Stages, assistant director), Matilda (MoCo Arts, Acrobat), Grease (The Public, Technical Director), Fabuloso (DRC, scenic deisgn), The Language Archive (Mad Horse, light design), and the carpenter for the 2018/19 Portland Stage season. Emily is a graduate of Keene State College and has been a theater educator in New Hampshire, Vermont and Maine for the last ten years. Big thanks to Keith, Lauren, Phoebe, Rob and the production team for their breathtaking work on this show and to Katieday for her neverending love and support.